The water is up;
Thundering under the old bridge,
Leaving nothing of the arch
That hides a hundred trolls
Of sleep-deprived nightmares;
Bath time for them.
A boiling soup, rich like rich gravy
All clay and silt and sole-trod leaves,
Left over from headier days,
Rips through, all-a-commotion.
This little brook is apologetic
Most days; hardly there –
Whispering along, behind the row
Of ’60s bungalows, protected
By decorative breeze-block garden walls
And shadowed, sloping lawns
Down to overhanging trees –
Beech front properties no less –
Here, miles from the shore.
The water is up,
Bank-topping, eddies round the oak base,
The dogs’ Convenience inconveniently
Lost, for a while at least;
Pummels through the scruffy shrubbery
Grown long on being out of site
From unquestioning Council mowers.
But where’s it from
All this; all this torment and chaos
And pent up free-flowing anger?
How can it rise
From these measly acres –
From these woods and fields
This thin scrape of topsoil
This pebble bound sod?
Yet it rises, it rises.
Month: February 2021
Who dug the ditches?
Under the scruffy hawthorn –
Dog-eared and tatty,
Dog-sniffed yet brooding –
The ditch runs;
Only a whip of thorns
Protecting it from wandering eyes.
The ditch;
A man-made beck
That beckons to nothing
But flash-flood over-spill
And tsunami waves
From lorry tyres
Smashing and thrashing
Their pyrrhic victories
Against road-edge puddles.
Yet they are there.
These ditches.
These long lines of art
Where man and nature
Worked together;
A partnership,
For once,
That worked for both.
Were they made for the roads?
Steel armed navvies,
Armies of shovels
Digging in unison.
The last spike in
Finishing the turnpike?
Were they made for the fields?
Farmhands and hired hands,
Sludge-trudging;
Stopping root rot
Or building a floss
To turn the stone of the mill?
Each was made
With salt-soaked brow,
And blistering toil;
With nicked-fingers,
And aching backs
With rough handled hoes
And hand-me-down trenching spades
Under warm July skies
Zipping with insects,
Skies now painted in sepia –
But were bright and true.
Who dug the ditches?
Their faces, lost to us;
But their work,
Their art – of
These unsung rivers –
Is their story, living still.